SPECIAL PERFORMANCE: Live Calligraphy with Hisako Tsuchiya
Extra special performance Sunday 30 March @ 4pm
@SOL Gallery
Yumi dances with her 87 yo mother the calligrapher!
Book now .
[SOLD OUT!] ButohBAR番狂わせOUT of ORDER II @AsiaTOPA festival
ButohBAR Out of Order番狂わせ II
as a part of AsiaTOPA festival, Melbourne
5-9 March 2025
@Abbortsford Convent
This electrifying event returns with a new line-up of local and international talent, including Japanese Butoh master Atsushi Takenouchi.
Led by acclaimed Melbourne artist Yumi Umiumare, this new edition of ButohBAR mixes fresh performances and rituals with outdoor spectacles at the iconic Abbotsford Convent, celebrating our beautifully dysfunctional existence.
Performance Season - ButohBAR 番狂わせ OUT of ORDER II | 5 - 9 March 2025
BUTOHOUT! 2025 Performance Season @ Abbotsford Convent, Melbourne
Following the sold-out success of ButohBAR 2023, this electrifying event returns with a new line-up of local and international talent, including Japanese Butoh master Atsushi Takenouchi.
Led by acclaimed Melbourne artist Yumi Umiumare, this new edition of ButohBAR mixes fresh performances and rituals with outdoor spectacles at the iconic Abbotsford Convent, celebrating our beautifully dysfunctional existence.
ButohBAR 番狂わせ OUT of ORDER II thrillingly throws back to a time when Butoh ruled Japan’s nightclubs and strip joints in the 1970s and 1980s.
Commissioned and presented by Abbotsford Convent and Asia TOPA, Arts Centre Melbourne
Fill the Earth (digital presentation)
Fill the Earth (digital presentation) 12-14 July 2024
ProximiTEA @Abbotsford Convent, April 2024
ProximiTEA @Abbotsford Convent, April 2024
Proximi TEA was performed as a part of celebrating the 20th anniversary of the Abbotsford Convent in April 2024.
A special choreography for the Tenri University Creative Dance's annual performance
Yumi was invited to choreograph for the 19th Annual performance event by Tenri University, Nara, Japan @ Nara Century Hall, 17 Dec 2023
Buried TeaBowl a new solo work in progress
Yumi is creating a new solo work Buried TeaBowl, an interdisciplinary work with dance, text, song and poetry, inspired by Japanese female dancer/shaman, Okuni in 1600’s. The work in progress was completed in Aug 2021, and will be premiered in a live and digital performance in 2022.
ButohOUT! 2021 New Ab/Normal 2 Feb- 23 May 2021
BUTOH OUT! 2021NEW AB/NORMAL 新しい異常
2 Feb - 23 May 2021
The 5th iteration of ButohOUT!, a collection of events inspired by the dance theatre art-form of Butoh, explores the artistic theme New Ab/Normal during the post-pandemic era with the question: what is normal?
Butoh OUT 2019
ButohOUT! 2019 is a festival to celebrate creative communities in Australia and beyond through the profound performance art medium of Butoh. 4 public workshops and 2 weeks performance season are held at Abbotsford Convent.
DasSHOKU SHAKE! Butoh Cabaret
The award-winning DasSHOKU Butoh Cabaret series that has been recognised by audiences in sell-out seasons around the world since 1999. The show gained rave responses from audiences and critically acclaimed reviews, receiving Green Room Awards for INNOVATION in cabaret category, and the Fringe Award – Innovation in Culturally Diverse Practice.
DasSHOKU Hora!!
DasSHOKU suru is a Japanese term meaning to bleach, to strip off colour. Hora! in Japanese means Look Out! In DasSHOKU Hora!!, the third in the DasSHOKU series, Yumi and the DasSHOKU team strip back the candy-coloured surface of Japanese culture and tickle its hoary underbelly.
Tokyo DasSHOKU Girl
Tokyo DasSHOKU Girl touches on the shadowy life of Japan which many would never encounter. DasSHOKU (to bleach) strips off the colour of the superficial to reveal the reality behind the happy face of consumerism, bleaching away the commonly held views of Japanese women as kawai, or cute, polite and submissive.
DasSHOKU Cultivation!!
Dancing between two contrasting cultures (Osaka and Melbourne), Umiumare tactically manipulated two languages and smoothly proceeded with the whole show. The balance of the contexts and the sense of timing in each scene change was incredible.