Japanese, japanese news Yumi Umiumare Japanese, japanese news Yumi Umiumare

国際舞踏ダンス・エクスチェンジ・フェスティバル@ドイツ・ブローリン城

20年間、4年に一度行われているフェスティバルで、特に舞踏を探求したいプロのダンサーのためにデザインされたもの。ドイツ在住の日本人舞踏家、吉岡由美子氏とデルタ・ライ氏の監修のもと、 ゆみ・うみうまれを含む8人の振付家・講師が舞踏、ダンスのワークショップを行い、アイディアをアーティスト間で エクスチェンジ(交換)する

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第6回 国際舞踏ダンス・エクスチェンジ&パフォーマンス・フェスティバル@ドイツ・ブローリン城 2015年、8月3日(金)−16日(日)

20年間、4年に一度行われているフェスティバルで、特に舞踏を探求したいプロのダンサーのためにデザインされたもの。ドイツ在住の日本人舞踏家、吉岡由美子氏とデルタ・ライ氏の監修のもと、 ゆみ・うみうまれを含む8人の振付家・講師が舞踏、ダンスのワークショップを行い、アイディアをアーティスト間で エクスチェンジ(交換)する。今年は75人のアーティストたちが世界中27カ国から参加した。最終日2日には振付家のペアによる4つのチームが作品を発表し、地元の人々を含み連日100人以上の観客に作品を披露した。

第6回 国際舞踏ダンス・エクスチェンジ&パフォーマンス・フェスティバル 詳細ページ(英語)

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山形里芋フェスティバル

マヤ暦の時間の知恵をもとに創られた13の月の暦では、7月25日は、地球が太陽の周りをひと巡りした節目で、新しい一年を迎えるための区切りとなる特別な一日です。「時間」から開放されるこの日は、自分を大いに楽しむのが良いとされる日です。

「時間をはずした日の祭り」@山形のさとう農園のうずまき畑(里芋畑)

スペシャルゲスト
アースヴォイス京子(唄)
ゆみうみうまれ(ダンス)

マヤ暦の時間の知恵をもとに創られた13の月の暦では、7月25日は、地球が太陽の周りをひと巡りした節目で、新しい一年を迎えるための区切りとなる特別な一日です。「時間」から開放されるこの日は、自分を大いに楽しむのが良いとされる日です。うずまき畑で、ぐるぐる踊って歌って宇宙と一体になり自分を大いに楽しませましょう。楽器などお持ちの方はぜひ一緒に奏でましょう。みんな持ってる素敵な声も響かせましょう。パフォーマンス終了後、うずまき畑で『真夏の芋煮会』があります。

日時:7月25日<時間をはずした日>10:00~13:00

集合:9:50 「西蔵王公園 展望広場」

参加費:大人1000円 / 子供 無料

持ち物:芋煮と一緒に食べるおにぎりや、お好きな飲み物、各自自由に。足もと気になる方は長靴、汚れてもOKな靴。裸足になる方は、自由。自分の里芋ちゃんを手入れする手袋、タオルや着替え、虫よけ、好きな服装など、自由。楽器鳴り物お好きな物お好きなだけ、自由。一緒に持っていきたいもの、自由。

☆参加締切は7月20日

 

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Japanese, japanese news Vikk Wong Japanese, japanese news Vikk Wong

ダッショク・シェイク!日本ツアー

ゆみうみうまれ、大阪の劇団ガンボ&メルボルンアーティスト共演による舞踏キャバレエ「DasSHOKU SHAKE!」(脱・SHOKU(色)シェイク!)が、 2014年12月、大阪、東京への公演ツアー決定!

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ゆみうみうまれ、大阪の劇団ガンボ&メルボルンアーティスト共演による舞踏キャバレエ「DasSHOKU SHAKE!」(脱・SHOKU(色)シェイク!)が、 2014年12月、大阪、東京への公演ツアー決定!

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東京公演  Tokyo12月19日(金)20:00開演(19:00開場) 会場:SARAVAH 東京(サラヴァ東京) 東京都渋谷区松濤1丁目29-1 クロスロードビル B1 ※JR山手線渋谷駅より徒歩10分 料金[1ドリンク付]:前売・当日/3,500円 チケット予約:SARAVAH 東京

大阪公演  Osaka12月23日(火祝)15:00開演(14:30開場) 会場:西天満ライブハウスGANZ toi,toi,toi(ガンツ トイ トイ トイ) 大阪市北区西天満5-13-7近江ビルB1 ※JR東西線大阪天満宮駅/地下鉄南森町駅1番出口より徒歩8分 泉の広場M-14左出口より徒歩10分 チケット予約:06-6366-5515 (GANZ toi,toi,toi) gumbo@maia.eonet.ne.jp

<大阪追加公演 ・決定!!> ※23日と会場が異なります。ご注意ください! 12月24日(水)19:30開演(19:00開場) 会場:ライブハウス大阪KANDYLION(キャンディライオン)チケット予約: gumbo@maia.eonet.ne.jp

詳細はこちら(pdf)

舞踏キャバレエ「DasSHOKU SHAKE!」は、2012年メルボルン・フリンジフェスティバルでプレミアを 迎えた作品で、その2週間公演は満員御礼、また昨年、ダーウィン国際フェスティバルにも招聘され、オーストラリア・グリーンルーム賞 (INNOVATION:革新的な作品)と、メルボルン・フリンジフェスティバル賞を受賞した。

「ショックと癒しがクロスする」という謳い文句で、うみうまれを中心に公演を重ねてきた「脱・SHOKU(色)」舞踏キャバレエシリーズは、1999年か ら展開され、今作「DasSHOKU SHAKE!」は、その第4作目。観客をある時は混乱に、またある時は爆笑と感涙へと導いてゆく、混沌と調和の同居したその舞台創りには定評があり、過去 のシリーズ作品、「DasSHOKU Cultivation!」(劇団GUMBOとの共演、2003年)は大阪サンホールにて、また「DasSHOKU HORA!」(2006年)はシドニーオペラハウスでも大好評を博した。暗黒舞踏の抽象の世界に、神話的やおとぎ話、底抜けに明るく風刺の効いたキャバレ エとをミックスさせた「舞踏キャバレエ」スタイルには、オーストラリでも高い評価を受けている。

今作品「DasSHOKU SHAKE!」では、震災を通して考えさせられた人間の「ゆれ」「ぶれ」「ずれ」「はぐれ」が深いテーマになっている。揺れる感覚、ぶれる思考、はぐれる アイデンティティー、ずれるコミュニケーション、そして「シェイク」した大地から喚起された様々な思いを、色彩豊かなキャラクター達が、踊り、演劇、歌や 語りを通して問いかけてゆく。

オーストラリアで活躍するうみうまれの舞踏と、大阪パワー炸裂、劇団GUMBO抱腹絶倒のコメディに、多彩なるオーストラリア人のパフォーマンスが加わり、その絶妙なバランスが激発する文字通りの日豪合作狂想劇。

「自分の心を揺らす」(ヤイコシラムスイェ)とはアイヌの言葉で「考える」と解釈されるようで、この作品を通し、演者、観客共、いかに自分達の心をシェイク(揺らして)ゆけるかが、作品の深いテーマとなっている。

批評抜粋

“ビジュアル、コンセプト共に豊かなこの作品は、「クレマスター」(マシュー・バーニーによる独特なスタイルの映像作品)より も面白い。(中略)うみうまれは私たちの住むこの街に、途方もない、ひどく面白い、全く素晴らしい舞台を持ってきてくれた。ハローキティのおしめをする特 大の赤子、唄ううんこ頭にファースト・フードの踊り。何が一番混乱したかと言えば、何故この作品がメルボルン国際フェスティバルの目玉商品になっていない かということであった。” The Age (オーストラリア有力新聞) 

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“想像を絶するような見た目に抽象的な動き、素晴らしいコスチュームに騒々しい音楽、そして、死と

笑いを共に誘発するかのような不快な絵画的イメージに感嘆する” Herald Sun (メルボルン新聞)

“この作品のメッセージ性には意味深く差し迫ってくるものがある。混沌とした私たちの存在そのものに対する静かな沈思黙想のようなものを呼び覚ませる。” The Peril Magazine (メルボルン雑誌)

日豪プレス記事

公演記録

Time

Place

2013年

ダーウィンフェスティバル

The Amphitheatre, George’s Green

2012年

メルボルン・フリンジフェスティバル

2週間公演 @fortyfivedownstairs

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Performances Vikk Wong Performances Vikk Wong

DasSHOKU SHAKE! tours to JAPAN!

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The Butoh Cabaret Extravaganza, DasSHOKU SHAKE! is now taking off to the land of the Rising Sun where they’ll be re-united with the explosive Japanese company Theatre Gumbo!  The tour will be taking place in December2014 with performances in Tokyo, Osaka and also conducting workshops at Minami Sanriku in Miyagi Prefecture, an area greatly affected by the earthquake and Tsunami in 2011. DasSHOKU_SHAKE!_photo_by_Vikk_Shayen

DasSHOKU SHAKE! Tour to Japan in December 2014

19(Fri) Dec 2014 at Saravah Tokyo 8pm start (7pm open) Booking:  Saravah Tokyo 03-6427-8886 ※Mon Tue Thur Friday (no public holiday) 14:00~18:00

23(Tue) Dec 2014 at Nishi Tenman LiveHouse GANZ toi toi toi 3pm start (2.30pm open) Public holiday Booking and Enquiry in Englsih

24(Wed) Dec 2014 X'mas Eve Special

at Livehouse Osaka KANDYLION, 3-5-14 Nakazaki Kita-ku Osaka 7.30start(7pm open) Booking and Enquiry in Englsih

 

Winner of the Green Room Award for Innovation and Melbourne Fringe Festival Award, DasSHOKU SHAKE! is the fourth work in the infamous DasSHOKU repertoire, the unique culture-crushing dementia that has been recognised by audiences in sell-out seasons around the world since 1999. Inspired by the devastating earthquake and tsunami that rocked Japan in 2011, DasSHOKU SHAKE!, Butoh Cabaret Extravaganza bursts out of the earth to assault the senses.

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ZeroZero and Hipbones Sticking Out and in Melbourne Festival

ZeroZero at Dance TerritoriesTHE SACRED AND THE PROFANE – RITUALS OF NOW Tue 14 & Wed 15 Oct 2014 @DANCEHOUSE

Yumi is in the Hipbones Sticking Out by BighART Fri 17 – Tue 21 Oct 2014 @ Arts Center Melbourne Playhouse

 

ZeroZero at Dance TerritoriesTHE SACRED AND THE PROFANE – RITUALS OF NOW Tue 14 & Wed 15 Oct 2014 @DANCEHOUSE

Two programs pair works by local and international choreographers in a charged collision of dance, highlighting different approaches to similar subject matter.

‘The Sacred and the Profane’ sees Tony Yap and Yumi Umiumare perform their exploration of nothingness, Zero, Zero, alongside a playful work by Nicole Mossoux and Patrick Bonté (Compagnie Mossoux-Bonté) featuring three obsessive coffee drinkers.

Yumi is in the Hipbones Sticking Out

by BighART

Fri 17 – Tue 21 Oct 2014 @ Arts Center Melbourne Playhouse

When 16-year-old Yindjibarndi man John Pat died in a Roebourne lockup in 1983, it was more than a singular tragedy – it was part of a longer story, one that for 150 years had denied Indigenous people in the Pilbara the power to speak.

Hipbone Sticking Out takes us on a dreamlike journey through history: from Greco-Roman myths, tall ships, terra nullius, pearlers, pastoralists, slavery and exotic minerals to the lives of the Pat family in Roebourne – the here and now.

Detail

 
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ゼロゼロ ZeroZero

1996年からコラボレーションを続けているダンスパートナー、トニー・ヤップとのデュオ作品。「ZeroZero」は3年間のデベロップメント期間をか けて制作され、それぞれの故郷の地マレーシアと日本という自分たちのルーツを探る過程の中で、マラッカ(マレーシア)のタオイズム(道教)のお寺や洞窟、 日本の高野山や恐山も訪れ創作された

1996年からコラボレーションを続けているダンスパートナー、トニー・ヤップとのデュオ作品。「ZeroZero」は3年間のデベロップメント期間をか けて制作され、それぞれの故郷の地マレーシアと日本という自分たちのルーツを探る過程の中で、マラッカ(マレーシア)のタオイズム(道教)のお寺や洞窟、 日本の高野山や恐山も訪れ創作された。作品ではvisibility and invisibility(目に見えるものと見えないもの)や「ゼロ」状態がテーマとなっており、ヤップ/うみうまれペア特有のダンスを通して、観客を陶 酔と変性意識の中に導いてゆく。

 

批評抜粋

“力強くパワフルでとても感動的だ”  Arts Hub(ウェブサイト・マガジン)
“瞑想的なフレームワークの中で、ゼロ的な空間を、それぞれの独特な世界から表現してゆくヤップとうみうまれのスタイルはとても魅力的だ。”(The AGE エイジ・メルボルン新聞)

 

公演記録

TimePlace

2014年メルボルン国際フェスティバル参加、再演

2013年メルボルン初演、その後コロンビアへ公演ツアー
メディア・アーティスト、マシュー・ギンゴールドの映像とサウンドデザインを加え、そのトランス的なダンスとテクノロジーとのコンビネーションに好評を博した

2011年シドニー公演

2010年マッラカ・フェスティバル(マレーシア)参加

アーツアイランド・フェスティバル(インドネシア東ジャワ地方)参加

 

 

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Work, Socially engaged Yumi Umiumare Work, Socially engaged Yumi Umiumare

Hipbone Sticking Out

Hipbone Sticking Out is a major theatre production made with the community of Roebourne, Western Australia, as part of the Yijala Yala Project. It premiered in Canberra as part of the Centenary of Canberra in 2013, and in 2014 it toured to Roebourne, Perth and Melbourne.

Hipbone Sticking Out is a major theatre production made with the community of Roebourne, Western Australia, as part of the Yijala Yala Project. It premiered in Canberra as part of the Centenary of Canberra in 2013, and in 2014 it toured to Roebourne, Perth and Melbourne.

 Hipbone Sticking Out is the culmination of over three years of creative collaboration between the community of Roebourne and Big hART, who over the last two years has brought Australian audiences to their feet with Namatjira. It forms part of the larger Yijala Yala Project, which is supported and encouraged by cultural leaders and the creative talent of this Pilbara community.

Hipbone is delivered by a dream cast including Trevor Jamieson (Pitjantjatjara), Lex Marinos (Greek/Australian), Maria Lurighi (Italian/Australian) and Yumi Umiumare (Japanese). The performance combines rich layered vocal harmonies, outrageous comic makeovers, messed up ensemble movement, striking digital imagery, sweeping design and freestyle costuming to create a cosmopolitan work from the edge of the world.

“Visually spectacular…extremely moving, relevant and highly innovative…” – Barefoot Review

“A juxtaposition of dark humour and poignant honesty…perfectly balanced…” – BMA Magazine

“Charged with enegery…Pulses with life…” – Filmalice


Creative Team

The team that created Ngapartji NgapartjiNamatjira, Nyuntu Ngali, StickybrickS and Junk Theory.

  • Writer/Director  Scott Rankin(Box the Pony, Ngapartji Ngapartji, Namatjira)
  • Associate Director  Luke Kernaghan(National Theatre of Scotland, Royal Shakespeare Company)
  • Musical Director  Nate Gilkes(Chants de Catacombes, Margaret Fulton: Queen of the Dessert)
  • Choreographer  Yumi Umiumare(Butoh Cabaret, Ngapartji Ngapartji, Tokyo DasSHOKU Girl)
  • Co-Choreographer  Adelina Larsson(QL2, Strut Dance Choreographic Centre)
  • Set Design  Genevieve Dugard(Belvoir, Opera Australia, Bangarra Dance Theatre)
  • Costume Design  Tess Schofield(Cloudstreet, The Diary of a Madman, The Sapphires)
  • Lighting Design  Matt Cox(Bangarra Dance Theatre, Sydney Theatre Company, Bell Shakespeare)
  • Sound Design  Jed Silver(Sydney Theatre Company, Belvoir, Circque Du Soleil)
  • AV/Video Design  Benjamin Ducroz(London International Animation Festival, Asian Art Biennale, MTV)

Performance Ensemble: Dudley Billing, Martin Crewes, Cho Cleary, Shareena Clanton, Sheridan Harbridge, David Hewitt, Trevor Jamieson, Maria Lurighi, Lex Marinos, Natalie O’Donnell, Yumi Umiumare, Michael Whalley, with performers from the Roebourne communityincluding Josie Alec, Patrick Churnside, and Allery Sandy.

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Butoh residential workshop 2-5 May 2014

On the Wimmera River, 15kms West of HorshamLead By Yumi Umiumare with a special guest voice artist from Tokyo, Kyoko Hirobe and locally based visual artist Anthony Pelchen

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BUTOH RESIDENTIAL WORKSHOP2(Fri)-5(Mon) May 2014 on the Wimmera River, 15kms West of Horsham Lead By Yumi Umiumare with a special guest voice artist from Tokyo, Kyoko Hirobe and locally based visual artist Anthony Pelchen

$350/320 (Vegetarian meals included) Early Bird Special by 17 April $330/300 $330/$300 (Vegetarian meals included)

The aim of this workshop is to expand body awareness, deepen consciousness and unleash internal expression though a response to landscape. This 130 acre site near Mt Arapiles allows participants to move between bush-land, sand dunes, open fields, river and elevated rock, opening up the senses to color, texture, sound and form. Over the weekend, Yumi will introduce various methods of Butoh, Chi/Gravity exercises, breathing methods and encourage a fuller expression and consciousness of well-being.  The body practices, voice work and drawing will act as powerful counterpoints and as opportunities to filter one into the other, strengthening the links between the external environment and the internal landscape.Kyoko (known as Earth Voice Kyoko) will share simple techniques for grounding body energy and connecting with the inner voice. Anthony will run a session of charcoal drawing that tap into this and the overall energetic build-up over the weekend. No dance, singing or drawing experience required

YUMI UMIUMARE: Born in Hyogo, Japan, Yumi is the only Japanese Butoh Dancer in Australia and the creator of provocative Butoh Cabaret works. Originally a member of the seminal Butoh Company DaiRakudakan in Tokyo, she moved to Australia and in 1993. Over the last 20 years Yumi’s versatile and distinctive physical theatre works have been seen in the spectrum of dance, theatre and film productions and festivals throughout Australia, Japan, Europe, New Zealand and South Eastern Asia. Yumi teaches Butoh nationally and internationally. KYOKO HIROBE: Kyoko is a native voice artist from Tokyo, touring Japan with several bands, singing in her deep soulful and powerful voice. In 2011 Kyoko performed with Yumi in Tokyo and joined Butoh residential workshop in Australian in 2012. A psychic healer and numerologist who has worked with over 8000 people in Japan, Kyoko has a love of volcanic mountains and the smell of souls. ANTHONY PELCHEN: As a visual artist working across mediums, Anthony studied at the Victorian College of the Arts and has since presented work in Australia, Japan, Malaysia and Denmark. For over a decade he has periodically collaborated with Yumi Umiumare and Tony Yap and since 2010 has curated the Visual Arts program of the annual Melaka Art & Performance Festival, Malaysia.

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Butoh Residential Workshop 13(Fri) -16(Mon) December 2013 舞踏合宿ー歓喜・喚起・換気 KANKI

Butoh Residential Workshop 13(Fri) -16(Mon) December 2013舞踏合宿ー歓喜・喚起・換気 KANKI on the Wimmera River, 15kms West of Horsham Lead By Yumi Umiumare with Anthony Pelchen

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Butoh Residential Workshop 13(Fri) -16(Mon) December 2013舞踏合宿ー歓喜・喚起・換気 KANKI

on the Wimmera River, 15kms West of Horsham Lead By Yumi Umiumare with Anthony Pelchen

The aim of this workshop is to expand body awareness, deepen consciousness and unleash internal expression though a response to landscape. This 130-acre site near Mt Arapiles allows participants to move between bush, sand dunes, open fields, river and elevated rock, opening up the senses to color, texture, sound and form. Over the weekend, Yumi will introduce various methods of Butoh, Chi/Gravity & Focus exercises, breathing methods and creative expression, as well as encourage a deep consciousness of well-being. Body practices and drawing in nature act as powerful counterpoints and as opportunities to filter one into the other, strengthening the links between the external environment and the internal landscape.

Anthony Pelchen, a visual artist, will guide a dynamic session of collective charcoal drawing that taps into this and the overall energetic build-up over the weekend.

*KANKi : Provocation, Delight, Ventilation in Japanese *No dance, singing or drawing experience is required

$350/320 (Vegetarian meals included) Early Bird Special by 30 Nov $330/300

BOOKING AND ENQUIRY

 

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Workshop - Butoh Intensive March 2014

Wednesdays 5th – 26th March, 10am – 1.00pm, The course is open to all levels of experience.

Through the 4 week course, Yumi introduces the basic philosophy and physical exercises in Butoh and other dance discipline.

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Wednesdays 5th – 26th March, 10am – 1.00pm, The course is open to all levels of experience.

Through the 4 week course, Yumi introduces the basic philosophy and physical exercises in Butoh and other dance discipline. Participants will explore:

在り方 Being -individual body presence 重力 Gravitating 感覚 Perceiving 空間 Spatial elements, both internal and external ため Accumulations, Isolation and sensation 間(ま)’Ma’ sense of emptiness, Active blankness, Active pause 記憶 Memory and Poetry 型/面 Form and Mask 摸写/ 反復 Copy and Repetition 想像/ 創造 Imagination to Creation

Through the practice, the participants will also create a short piece, exploring; Characterisation Provocation Transformation Tune in/Tune out Embrace the unknown

At the end of the workshops, we will have a informal gathering to show and tell about the work we create.

BOOKING AND ENQUIRY

 

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WHITE DAY DREAM 白昼夢 SERIES

A series of experimentations of visual poetries, film work and physical theatre, inspired by Yumi’s own experience of her brother who had a cerebral hemorrhage. Is it really happening right in front of us or are we daydreaming? What if our piled up memories were suddenly erased? Our memories are like a heritage but our brain could hemorrhage.

White Day Dream(白昼夢) series

Our memories are like a heritage but our brain could hemorrhage.

White Day Dream(白昼夢)is a series of experimentations of visual poetries, film work and physical theatre, inspired by Yumi’s own experience of her brother who had a cerebral hemorrhage. Like a dream itself, the work try to recalling viewer’s emotion and subconscious, and portrays physical and psycho-emotional realms where things are at once unexpectedly linked and disconnected. Our idea of ‘reality’ blurs fluctuates and we try to substitute it with our own visionary fantasy and imagination.

Is it really happening right in front of us or are we daydreaming?

What if our piled up memories were suddenly erased?


PERFORMANCE HISTORY

Experiment #4
白い昼の夢(Japanese Title)White DayDream
Created and performed by local performers
at Odorini Ikuze Feitival (we are gonna dance festival) in Hakata, Japan,Feb 2017

Experiment#3
Collaboration with Weave Theatre (Oct-Dec 2015)The showing 16 December 2015

Experiment#2
FOLA
Performance @Arts House As a part of Festival of Live Art

Experiment#1
Feb 2014
White Day Dream Video works


Credits for the photography
Photo by Will Taylor and NObu from IETM, 2014, Artshouse.
Performance by Gregory Lorenzutti, Tim Crafti, Satori Fukuzimi and Yumi Umiumare



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In bed with... The elephant in the room

A work in progress performance devised by the creative team in collaboration with women from the sex industry, men and youth( platform youth theatre).Through the stories of local and traffic women we ask, what is the impact of the sex industry upon us all?

@ Lamama Courthouse Theatre

Project respect in collaboration with platform youth theatre

A work in progress performance devised by the creative team in collaboration with women from the sex industry, men and youth.Through the stories of local and traffic women we ask, what is the impact of the sex industry upon us all?

Direction: Catherine Simmonds
Choreography: Yumi Umiumare
Sound Design: Dan West

Performers from Platform youth theatre and Project respect


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Performanscape - Butoh at the You Yangs

A few images from a larger body of work "Performanscape" created for the Core program of the 2013 Ballarat International Foto Biennale in collaboration with Vikk Shayen a Melbourne based Photographer. All performers were shot on location, nothing was added in post-production.

A few images from a larger body of work “Performanscape” created for the Core program of the 2013 Ballarat International Foto Biennale in collaboration with Vikk Shayen a Melbourne based Photographer. All performers were shot on location, nothing was added in post-production.

Photography: Vikk Shayen

Performers: Sebastian Peters-Lazaro / Yumi Umiumare / Harrison Hall / Willow Conway / Helen Smith / David Kemp / Daniel Mounsey / Felix Ho / Fina Po / Takashi Takiguchi

Production: Jesse Rasmussen / Ellen Strasser

For more information and Print Sales please go to vikkshayen.com
ABOUT THE BALLARAT INTERNATIONAL FOTO BIENNALE
The Core Program is a curated exhibition of Australian and International artists representing some of the best and most innovative contemporary photographic practice. With a focus on new work and a diverse curatorial approach the Core Program is a prestigious exhibition program staged across eight unique heritage buildings in Ballarat, Victoria.

ABOUT PERFORMANSCAPE
PERFORMANSCAPE is a collaborative photographic project with various Australian performance artists and theatre makers. The work exposes the stunning landscapes found throughout Australia that remain hidden from those living in urban areas. It also draws attention to the diversity, craftsmanship and physical virtuosity of various Australian artists and designers.

This project was originally inspired by a pervasive cultural disconnection between city dwellers and the natural environment as well as the emergence of an increasing number of site–specific performances within the world of theatre. In these works I reintroduce the corporeal reality of a performers body into the genre of landscape photography, asking how we see a contemporary human body in relationship to the land. This series explores a personal attraction to moments, objects and relationships that make strange the mundane, that challenges our perceptions of reality and that highlight the unfamiliar in a world that feels increasingly known, categorised and accounted for. I hope the images will bring you to a space in reality where the beauty of the improbable can exist.

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ZeroZero in Bogata, Columbia

ZeroZero at TEATRO MAYOR, Bogata, Columbia18(Fri) and 19(Sat) October 2013 at 8:00 p.m. Teatro Estudio Price: 30 mil pesos

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ZeroZero at TEATRO MAYOR, Bogata, Columbia18(Fri) and 19(Sat) October 2013 at 8:00 p.m. Teatro Estudio Price: 30 mil pesos

ZeroZero is a new dance work by Tony Yap, Yumi Umiumare and Matthew Gingold, exploring the spaces between fullness and emptiness, visibility and invisibility. Yap and Umiumare's ancient cultural and spiritual traditions are combined with Gingold’s bleeding edge explorations of high and low technologies. From the immediacy and simplicity of the human body lit by candles and incense, to the use of the latest technology, ZeroZero will transport the viewer with its immersive environment and evocative and trance¬like physical explorations.

'...strong, powerful and incredibly moving' Arts Hub on ZeroZero at 'Return to Sender', Performance Space, November 2011

TEATRO MAYOR

 

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DasSHOKU SHAKE! in Darwin Festival

DasSHOKU SHAKE!Yumi Umiumare & Theatre Group GUMBO

Get ready to be shaken and stirred!

Photo by Vikk Shayen

DasSHOKU SHAKE! Yumi Umiumare & Theatre Group GUMBO

Get ready to be shaken and stirred!

Created by butoh punkess Yumi Umiumare, Japan’s legendary Theatre Group GUMBO and three of Melbourne’s shock-toy acolytes (known as the DasSHOKU triangle) this is one psychedelic, cross-cultural, lost-in-translation, emo shake-up. DasSHOKU SHAKE! is the fourth work in the award-winning DasSHOKU repertoire, the unique culture-crushing dementia that has been recognised by audiences in sell-out seasons around the world since 1999. Inspired by the devastating earthquake and tsunami that rocked Japan in 2011, this latest chapter bursts out of the earth to assault the senses. In it Umiumareʼs punk ingénue (a character that wouldn’t be out of place in the ‘60s cult series Monkey) joins a troupe of wanderers traversing the world and experiencing its shaky ground as a series of hell-on-earth fantasies. On the way there’s music, movement, merriment and just a touch of madness.

Recent Green Room Award winner for Innovation in Cabaret, DasSHOKU SHAKE! is a timeless myth told with a healthy mix of black satire GUMBO’s trademark bewildering absurdist humour. It fuses the intensity of butoh with all the entertainment of great cabaret for a weird and wonderful Festival experience from an incredible team of performers.

  " It is a riot… black humour, absurd juxtapositions and occasional poignancy with skills and thrills.” Adelaide Advertiser

    "Watching Umiumare dance butoh is like watching a stainless steel mannequin ram a knife into a toaster." Vibewire Artistic Director & Choreographer Yumi Umiumare Co-Director KayoTamura

Performers Yumi Umiumare, Helen Smith, Willow J, Harrison Hall, Kayo Tamura, Nono Miyasaka & Ryo Nishihara Dramaturgy Matt Crosby Set Design Ellen Strasser Sound Design Dan West Costume Design Kiki Ando & Theatre Group GUMBO Original Lighting Design Tom Willis Additional Lighting Design for Darwin Tony Moore Photography Vikk Shayen (Australia)& Masami Kikuchi (Japan)

 

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HIPBONE STICKING OUT World Premier Season

3-6 July at Canberra TheatrePERFORMANCE ENSEMBLE Jada Alberts, Simon Gleeson, Trevor Jamieson, Derik Lynch, Lex Marinos, Natalie O’Donnell, Yumi Umiumare and others from the Roebourne Community.

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3-6 July at Canberra Theatre

PERFORMANCE ENSEMBLE Jada Alberts, Simon Gleeson, Trevor Jamieson, Derik Lynch, Lex Marinos, Natalie O’Donnell, Yumi Umiumare and others from the Roebourne Community.

CREDITS: Writer/Director                  Scott Rankin Set Design                        Genevieve Dugard Costume                           Tess Schofield Musical Director               John Rodgers Sound Design                  Jeremy Silver Foley Sound Artist            David Hewitt Choreography                  Yumi Umiumare Lighting Design                Nicholas Higgins Video                                Benjamin Ducroz Creative Producer            Debra Myers Associate Producer          Elspeth Blunt Production Manager         Neil Fisher

Hipbone Sticking Out spins the globe upside down and sets its teeth rattling to the tune of The Clash, The Stranglers, Britney Spears, sea shanties and traditional songs of the Pilbara in glorious six part harmony. Clothed in hi-viz work wear and set against the backdrop of Murujuga – the world’s largest outdoor rock art gallery - a stellar cast creates a tour de force story beginning in 1602 that places the Pilbara at the centre of world history.

In the town of Roebourne a young man, John Pat, scuffles with police, hits his head on the footpath and is left in a police lockup. He finds himself travelling through time from the beginning, meeting Greco/Roman Gods, tracing the spice routes, the exploration of the Indian Ocean, the paintings of Vermeer, the pop music of 1800’s, the coming of ghost people to Ngarluma country, slavery, pearling, new law, ancient law, and the mining boom of the present. During the performance John Pat’s family hold the truth of this story in their hands as witnesses. Like all Big hART’s pieces it will make you laugh and cry and touch you with its candid authenticity.

Created with the community of Roebourne by Scott Rankin and Big hART Hipbone is delivered by a dream cast including Trevor Jamieson (Pitjantjatjara), Derik Lynch (Yankunytjatjara), Lex Marinos (Greece/Wagga Wagga), Simon Gleeson (Scotland) Natalie O’Donnell (United Kingdom) and Jada Alberts (Yanyuwa/Larrakia). The performance combines rich layered vocal harmonies, outrageous comic makeovers, messed up ensemble movement, striking digital imagery, sweeping design and freestyle costuming to create a mesmerising cosmopolitan work from the edge of the world.

Hipbone is produced by Big hART, who over the last two years has brought Canberra audiences to their feet with Namatjira and Ngapartji Ngapartji. Now the third work in this trilogy has its world premiere in Canberra as part of Big hART’s residency at the Canberra Theatre Centre.

Hipbone forms part of the larger Yijala Yala Project which is supported and encouraged by cultural leaders and the creative talent of the community in the Pilbara. Woodside Pluto LNG is the principal sponsor of the Yijala Yala Project and Hipbone Sticking Out.

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GLORYBOX

Queen Provocateur Moira FINUCANE and the world’s most addictive divas unleash their latest, hot-off-the-press exotic and inimitable Franken-routines and plunge into Paradise.

Dark angels, hair and feathers flying, ecstatic swans, naked circus, disco heaven, transcendent Tokyo, flesh and bone, hearts and music pounding … Paradise. Fresh off the plane from her triumphs in London, Brighton & Paris – Finucane returns with a grab bag of wild new work and a few global favourites.

London’s infamous red hanky stripper URSULA MARTINEZ; circus wild child JESS LOVE; Tokyo Terawatt YUMI UMIUMARE; Parisian dance siren HOLLY DURANT; backroom ballerina LILY PASKAS; bombshell songbird & Circus Oz ringmistress SARAH WARD as she’s never been seen before; and Moira FINUCANE herself, inspired by the museums of Paris, in predatory PARADISE

“reminds us of the inadequacy of simple applause” The Latest UK

http://www.fortyfivedownstairs.com/events/

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Butoh Residential Workshop 26(Fri)-29(Mon) April 2013 @Wimmera River

Butoh Residential Workshop26(Fri)-29(Mon) April 2013 @Wimmera River

風景の声を聞く 'Tuning into landscape'

Lead by Yumi Umiumare With a local visual artist Anthony Pelchen

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Butoh Residential Workshop26(Fri)-29(Mon) April 2013 @Wimmera River 風景の声を聞く

Tuning into landscape

Lead by Yumi Umiumare With a local visual artist Anthony Pelchen

Let us dive into the dirt and sand dunes! This popular residential workshop is to expand our body awareness,deepen our consciousness and unleash our internal expressions through a response to landscape. This 140 acre site nearby to Mt Arapiles allows participants to move between bush land,sand dunes, open fields,river and elevated rock, opening up the senses to color,texture, sound and form.

Over the weekend, Yumi will introduce various exercises for “tuning” into our own links between the external environment and the internal landscape, focusing also breathing,exploring our deep expression and consciousness of well-being. The stillness of the landscape will let us explore the deeper and authentic part of our "being" and cleanse our busy thoughts.

There is a special charcoal drawing session will be run by a local visual artist Anthony Pelchen.

Come and join us!

Cost:$330/300 (including vegetarian meal)

Please Book by 20 April as numbers are limited.

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ダッショク・シェイク!DASSHOKU SHAKE!

舞踏キャバレエ「DasSHOKU SHAKE!」は、2012年メルボルン・フリンジフェスティバルでプレミアを迎えた作品で、その2週間公演は満員御礼、また昨年、ダーウィン国際フェス ティバルにも招聘され、オーストラリア・グリーンルーム賞(INNOVATION:革新的な作品)と、メルボルン・フリンジフェスティバル賞を受賞した。

舞踏キャバレエ「DasSHOKU SHAKE!」は、2012年メルボルン・フリンジフェスティバルでプレミアを迎えた作品で、その2週間公演は満員御礼、また昨年、ダーウィン国際フェス ティバルにも招聘され、オーストラリア・グリーンルーム賞(INNOVATION:革新的な作品)と、メルボルン・フリンジフェスティバル賞を受賞した。

「ショックと癒しがクロスする」という謳い文句で、うみうまれを中心に公演を重ねてきた「脱・SHOKU(色)」舞踏キャバレエシリーズは、1999年か ら展開され、今作「DasSHOKU SHAKE!」は、その第4作目。観客をある時は混乱に、またある時は爆笑と感涙へと導いてゆく、混沌と調和の同居したその舞台創りには定評があり、過去 のシリーズ作品、「DasSHOKU Cultivation!」(劇団GUMBOとの共演、2003年)は大阪サンホールにて、また「DasSHOKU HORA!」(2006年)はシドニーオペラハウスでも大好評を博した。暗黒舞踏の抽象の世界に、神話的やおとぎ話、底抜けに明るく風刺の効いたキャバレ エとをミックスさせた「舞踏キャバレエ」スタイルには、オーストラリでも高い評価を受けている。

今作品「DasSHOKU SHAKE!」では、震災を通して考えさせられた人間の「ゆれ」「ぶれ」「ずれ」「はぐれ」が深いテーマになっている。揺れる感覚、ぶれる思考、はぐれる アイデンティティー、ずれるコミュニケーション、そして「シェイク」した大地から喚起された様々な思いを、色彩豊かなキャラクター達が、踊り、演劇、歌や 語りを通して問いかけてゆく。

オーストラリアで活躍するうみうまれの舞踏と、大阪パワー炸裂、劇団GUMBO抱腹絶倒のコメディに、多彩なるオーストラリア人のパフォーマンスが加わり、その絶妙なバランスが激発する文字通りの日豪合作狂想劇。

「自分の心を揺らす」(ヤイコシラムスイェ)とはアイヌの言葉で「考える」と解釈されるようで、この作品を通し、演者、観客共、いかに自分達の心をシェイク(揺らして)ゆけるかが、作品の深いテーマとなっている。

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批評抜粋

“ビジュアル、コンセプト共に豊かなこの作品は、「クレマスター」(マシュー・バーニーによる独特なスタイルの映像作品)より も面白い。(中略)うみうまれは私たちの住むこの街に、途方もない、ひどく面白い、全く素晴らしい舞台を持ってきてくれた。ハローキティのおしめをする特 大の赤子、唄ううんこ頭にファースト・フードの踊り。何が一番混乱したかと言えば、何故この作品がメルボルン国際フェスティバルの目玉商品になっていない かということであった。” The Age (オーストラリア有力新聞) 

“想像を絶するような見た目に抽象的な動き、素晴らしいコスチュームに騒々しい音楽、そして、死と笑いを共に誘発するかのような不快な絵画的イメージに感嘆する” Herald Sun (メルボルン新聞)

“この作品のメッセージ性には意味深く差し迫ってくるものがある。混沌とした私たちの存在そのものに対する静かな沈思黙想のようなものを呼び覚ませる。”  The Peril Magazine (メルボルン雑誌)

日豪プレス記事

 

公演記録

TimePlace

2014年東京、大阪公演ツアー、宮城県南三陸地方にてワークショップ(劇団ガンボとのコラボレーション)日豪交流基金助成

2013年ダーウィンフェスティバル

The Amphitheatre, George’s Green

2012年メルボルン・フリンジフェスティバル

2週間公演 @fortyfivedownstairs

3 Minute Video Highlights


DasSHOKU SHAKE! Aftershocks

DasSHOKU SHAKE! Short Clip from Fundraising Event 2014



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